Mercutio's Responsibility of Tragedy in "Romeo and Juliet"

A plague on both your houses. I am sped(III.i.90). For as long as William Shakespeares play Romeo and Juliet has been studied, people fancy in argued over who or what is trusty for the tragical conclusion. However, from his scratch show to his death, quoted above, evidence proves that Mercutio is the main incur. Although he curses both the Montague and Capulet families at the sentence of his death, his curse does no real harm. On the different hand, his fleckions in advance he is killed have a big(p) effect on those close to him and those effects ripple go forth to those crimson raise away. Mercutio is Romeos high hat friend and non a member of e rattling of the feuding families. An examination of Mercutios offense for the sacrament of marriage and his plentys of women, his over- make believeive imagination, and his explosive spirit willing understandably prove he is responsible for the tragic demise of Romeo and Juliet. resembling m any(prenominal) peop le in Verona, Mercutio has a warp view of marriage, and to a bang-uper extent, venerate. In fact, he says, If relish be rough noush you, be rough with esteem: tingle jazz for pricking, and you beat esteem down(I.iv.27-28). This shows how he feels roughly love; he hates it. He thinks women are merely objects of lust, and he proves this by teasing Romeo close to wanting to marry Rosaline. nevertheless proof of this crowd out be seen in Act 2, jab 2, when Mercutio and Benvolio tease Romeo, who is hidden on the other side of the w every last(predicate), nigh falling in love so easily. His hatred for love and marriage can be summed up with this statement: Alas, unimportant Romeo, he is al build dead! Stabbed with a light wenchs blackness eye; run through with(predicate) the ear with a love song; the real pin of his heart split with the blind bow-boys butt-shaft. And is he a man to meet Tybalt?(II.iv.13-17). He thinks love is a disease and something that w ill weaken any man. Romeo knows of Mercutio! s feelings out-of-pocket to his immutcapable teasing: Nay, Ill conjure too. Romeo! Humours! Madman! Passion! lover!(II.i.7-8). As a result of this teasing, Romeo keeps his marriage secret from his best friend. He has no other reason to do so, as Mercutio is incomplete a Montague nor a Capulet, so he should be able to act as an unbiased friend. Unfortunately, Romeo feels that he cannot even perpetrate Mercutio with his secret, which ultimately will lead to no cardinal creation able to help him when help is needed. On galore(postnominal) junctions, Mercutio displays his over-active imagination. He is very open with his creativity among his friends, including Romeo. It is this unbounding creativity that causes Romeo to once more keep secrets from him. Examples of his wit can be seen almost every time he opens his mouth. A prime example is the Queen Mab talk, which he seemingly weaves out of thin air: Her Chariot is an drop hazelnut do by the joiner squirrel or o ld grub, while out o headway the fairies coachmakers. Her waggon-spokes of long spinners legs; The cover of the wings of grasshoppers; Her traces, of the smallest bird of passage clear; Her collars, of the moonshines feeble beams.(I.iv.59-65) He also shows off his great story-telling dexteritys when he is describing Tybalt as the Prince of Cats(II.iv.19). He spins a fabulous web of intrigue and mystique when telling these stories. whizz last example of his humourous nature can be seen when Tybalt slays him. Despite the fact that he is about to die, he politic shows off his esprit by declaring that his contuse is just, a excise, a scratch(III.i.92) and that if anyone ask[s] for me tomorrow...you will find me a grave man(III.i.96-97). Mercutios imagination and creativity cause Romeo not to confide in him because he is afraid his friend will create some voluptuous tale, telling how Romeo is a lovesick puppy. This would embarrass Romeo, so he refuses to tell Mercutio of his matrimonial woes. The outgrowth thing one no! tices about Mercutio is his explosive nature. This character characteristic is the one most responsible for Romeo and Juliets death. His tendency to let his emotions relegate forth can be seen throughout the course of the play. This is perspicuous when his Queen Mab speech turns from imagination to anger: This is the hag, when maidens lie on their backs, That presses them, and learns them how to bear - Making them women of honest carriage. This is she -(I.iv.92-95).

It appears again when he speaks of Tybalt and the scrap he made to Romeo. His speech about Tybalts fighting skill is dripping with sarcastic remarks: The very butcher of a silk button. A duellist, a duellist! A gent leman of the very origin house, of the first and second cause(II.iv.23-25). In both cases, he lets his emotions boil over as he compacts carried away. However, the most lucid case of his fragile sense of humor is when Tybalt insults him while expression for Romeo. This results in Mercutio being fully ready to fight a battle that is not his, simple because he is insulted. Mercutios final act of rage occurs when Tybalt disrespects Romeo. He interferes to defend his friends discover: O calm, dishonorable, sickening submission! Alla stocata carries it away. Tybalt, you rat-catcher, will you walk?(III.i.72-74). His huskiness gets him into trouble. Due to his flush actions, Mercutio is killed by Tybalt. If he did not act so thoughtlessly, Romeo would not have reacted in revenge. The whole calamity could have been avoided, as Romeo never would have gotten banished. As one can all the way see, although not presently involved in the tragedy, due to his betimes death, Mercutio sets its foundation. Through his utter dist! aste for love and bursting creativity, he causes Romeo to go back to being deceitful about his marriage. As a result, Romeo has no one to turn to for help, which eventually causes him to induct suicide. Mercutio by all odds causes Romeo and Juliets tragic end by forcing Romeo into secrecy through his hatred for marriage and over-active imagination. Furthermore, the way his personality combusts on occasion leaves him murdered. This causes Romeo to commit acts he normally would not, leading to his banishment. His banishment leads directly to his suicide, and Juliets coincident death. So when Mercutio puts, a plague on both...houses(III.i.90), he in reality does more than just insult them. He uses his last a few(prenominal) words to set the tragedy of Shakespeares Romeo and Juliet in motion. If you want to get a full essay, order it on our website: OrderEssay.net

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